It is always a pleasure to find old projects on the Internet
when you are googling yourself "just in case" when doing random searches. I came across this shoot I did with Anthony Deeying, a dear and talented friend of mine whom I've worked with many times before. Pulling clothing for this shoot was relatively painless. Many pieces came from my personal wardrobe. I was unaware that this project would be optioned for a magazine, and it was a surprise to see it published in
TANTALUM (read the Anthony's interview below). Maybe I did read this forever ago, but for some reason it was so new to me to see it again...
TANTALUM: Anthony, thank you for your amazing story "FREE ME" for the first issue of Tantalum can you tell us how the editorial came about?
ANTHONY DEEYING: The editorial came to life thanks to the stylist; Jerome Ison. He loves patterns especially Starts/Polka dots/stripes. He was able to pull pieces that focused on mixed patterns in the same color palette and add stacks of bracelets which is his go to personal style as well.
TANTALUM: The model has such great presence, did you direct her or did she just bust out in those moves?
ANTHONY DEEYING: Evan is one of the best movers I have ever had the pleasure of working with. We gave her some 'key' poses to mimic and she ran with it... we had music playing and she got into the mood and went to town. Her hair was also so amazing, between hair flips and wind she made it work.
TANTALUM: Whose idea was it to use a leather harness usually reserved for The Folsom st fair mixed with a vintage cardigan!?
ANTHONY DEEYING: The Harness is actually designed by Zana Bayne (www.zanabayne.com) who is a dear friend of the stylist. Her pieces are addictive! beautifully hand made, and just will make any outfit so cool.
TANTALUM: The images are far less static then typical fashion editorials, do you find that sense of movement is common in your style of shooting?
ANTHONY DEEYING: Movement is very common in my shooting. As much as I love the standstill poses in other editorials - My style is very much emotion and movement, giving the freedom to the model to make it their own with the mood we've worked on for the shoot.
TANTALUM: How did you get into photography? was it something you always wanted to do or was it a fortunate accident?
ANTHONY DEEYING: I've been fortunate enough to be in the arts my entire life. I was apart of an intense magnet program in high school that specialized in fine arts so I was able to be in the dark room and learn colors, patterns, you name it from some amazing teachers at a young age. But photography as a job I never thought - originally I wanted to design, but then got bored and tried photographing my friends... submitted them to agencies and was booked for my first test shoot the next day.
TANTALUM: Do you have any mentors/muses?
ANTHONY DEEYING: Muses, yes.. many - I love awkward people... not the typical 'pretty models' I like character that comes out in photos. Evan (in this editorial) is definitely a muse for me. I wouldn't narrow it down to just one person, but a handful of amazing talent i've been able to photograph and produce amazing pieces. Mentors; I absolutely adore Steven Klein's work - I'm a goth kid at heart and the dark, emotional images he's able to produce just blow my mind and I think he's a genius. Also Hedi Slimane is a huge influence - the raw simplicity of his work is something I've admired and respect.
TANTALUM: What do you look for when figuring out who to use for your editorial team??
ANTHONY DEEYING: I work very hard to narrow down talent. I sort through so many books and websites seeing what the stylists/makeup artists have to offer. It's extremely taxing, but I do it because I know what I want and who will be able to deliver it. I love giving up and coming people a chance, but it's done after much research of them. haha. I'm very picky.
TANTALUM: What inspires you?
ANTHONY DEEYING: Again, movement/emotion is a major thing for me.
TANTALUM: How did it feel to see you work in print for the very first time??
ANTHONY DEEYING: Actually, the first time my work was published in print I took the cover of the magazine! The editor actually had an original cover already lined up but saw my shots, pulled it.. and replaced the image for the cover with the one I shot. It was for a French magazine, and I was fortunate to get a cover and three page feature in the issue! I also ended up being in Paris while the issue was on stands - so walking around Paris and seeing my image on the cover was beyond incredible.
TANTALUM: Final thoughts funny stuff that happened on shoot day??
ANTHONY DEEYING: To get the movement shots Evan had to be jumping around, dancing, whipping her hair around in the studio with no A/C poor thing had to break every now and then to get her makeup and hair reset because she was breaking a sweat. But she looked amazing and was definitely a trooper.
- jerome
